sydney’s newest investment casting foundry

Custom Castings is a full service investment casting foundry in the inner west of sydney. working across sculpture, repitious casting and one off works, we are able to assist and coordinate your casting from start to finish.

Our services include:

  • Design and production of tool making for wax injection

  • Silicone molding of artworks and sculpture, and low run parts

  • Welding - MIG and TIG in stainless steel and bronze

  • Polishing - rumble polishing through to a mirror finish

  • Patinas, waxes and clear coating

  • 3d printing one off or low run parts

  • 3d scanning of existing parts for replication

  • 3d modelling in solidworks and rhino

  • Post machining

  • Heat treating

Architectural hardware

Custom house numbers, handles, hooks, door and draw pulls for your home, or for one of your clients

prototyping

Have an idea you’ve always wanted to try, maybe its a light fitting, a component for a larger system or a new product…

repeat casting

Interested in producing repeat castings, maybe you have tooling from another foundry, or want to produce your pieces locally

sculpture

Interested in casting one of your existing works, or have a new artwork in mind

plaques

Want to commemorate someone or something special, your business or a building

What is investment Casting?

investment casting or lost wax casting is a manufacting process
to create intricate and detailed metal parts with its
origins dating back almost 6000 years.

Investment casting is favored for its ability to produce highly detailed and complex parts with excellent surface finishes. It's often used in industries like aerospace, automotive, art, and even in creating specialized parts for machinery and equipment. The process allows for intricate designs and shapes that might be difficult or impossible to achieve with other casting methods.

Pattern creation

The process begins with the creation of a pattern, made from wax or a similar material. This pattern is an exact replica of the final part that needs to be produced. This can be produced using a silicone mold of the original piece, a wax sculpture, tooling on our wax injection machine or a 3d print.

assembly

Wax patterns are attached to a central bar with wax rods, creating a cluster of patterns.  the bar and rods varies in size and shape depending on the pieces being cast and the quantities. This assembly is often referred to as a "tree" or “casting tree” due to its branch-like appearance. Sprues or additional bars are placed on the casting tree as necessary to ensure the molten metal will flow evenly through the mold and provide stability during the molding process.

investment

The wax tree is then hand dipped into a ceramic mixure, and coated with zircon sand. This process is repeated multiple times often taking up to 24 hours to dry. each subsequent dip is followed by a coating of fine to course sand. as the layers build up, The ceramic coating forms a shell around around the wax patterns.

dewaxing

Once the ceramic shell is hardened, it is loaded into our autoclave, a large pressure boiler that melts the wax out to be reused.  Following this each shell is placed into the kiln and preheated to 800 degrees, removing all moisture from the shell and ensuring there is no wax or debris inside.

casting

The empty shell, now known as the mold is preheated and placed into a casting box before the molten metal is poured in.  The mold is preheated to ensure there is no moisture and to avoid thermal shock when the metal meets ceramic.

deshelling

Once the metal solidifies, the ceramic shell is broken off using air hammers, the individual cast pieces are then cut off the casting tree, and then sand or bead blasted to remove the last of the ceramic shell and clean the oxide layer off from where the molten metal comes into contact with the ceramic mold.

finishing

After being blasted, the individual pieces are finished to the clients specifications. some pieces have the gates sanded off and are sent off for heat treating or post machining, while others are rumble polished in house, or in the case of sculptures, welded together, polished and patinated.